Monday, June 02, 2008

seeing red


On this, the most glorious eve of Weezer's latest release, I turn my gaze back to my favorite band's body of work, which has both inspired and enraged me through the years.

You see, my dog died recently. Yogi really was this man's best friend, and she represented both stormy times and painfully new and bright times in the last 12 years of my life. She came to as a present in Christmas of 1996. "A boy should have a dog," I remember my mom saying. We'd picked her out a few months earlier from an accomplished Basset breeder who lived up a precariously steep and muddy hill, akin to the Grinch's peak. At the time, Yogi was too young to leave her own mother, so mine assured me that my present would be present by February. And indeed she was. I remember marveling at how huge and cumbersome her paws and ears were (they seemed to remain at that size while the rest of her struggled to catch up to their advanced growth), and the white question mark etched in her fur, just above her tail. She was beautiful. And mine. The first thing I'd ever had that required responsibility. And certainly the only thing I've ever had that loved me no matter how badly I attended to that responsibility.

I had moved to North Carolina a few months before from Ohio in the wake of my parents' divorce. I've been told that I use the word "miserable" to describe far too many things in life, but I can't quite think of any other term for how I felt then. My dad was half a world away. My friends were that same distance (and later further, when some of them left Ohio, ensuring that no matter how much we said we would, we'd never meet again). I was in a hick town that didn't know culture from q-tips. On top of everything, I had no idea how to express any of the things I was feeling. My brain was throbbing in a hot bath, stoked by my tear ducts, and my mouth had all but sank away into a third cheekbone. Part of me shut down in those days.

As the school year began and I slowly made friends, Yogi was the one constant, however new she was, that kept me anchored and focused. I was never as nice as I could have been (she may have been scolded a bit too harshly for messing in the house a few times, or kept out from underfoot by being locked up in her kennel too often during that first year), but I can scarcely think of any relationship I've had that came close to how much we loved each other. This is good, because I was socially (miserable) during high school. Girls hated me, I confounded myself with how I behaved around them, and my friends were all in the same boat. I needed someone to confide in and be myself around. Yogi was the perfect listener.

I didn't know much about music during the first half of high school, a fact which I lament to this day. However, towards high school's end, I'd picked up quite an eclectic taste of music, ranging from progressive rock to trance, from musical theater to japanese pop. I began writing music and discovering how to externalize the sordid soup of emotions I felt internally. It was my own little renaissance, peaked by my discoveries of Devo, They Might Be Giants, the Flaming Lips, and others.

Finally, as graduation loomed, my best friend Funk spoke of a band he'd mentioned before, only this time I listened to him. They hadn't had an album in 5 years (for a contemporary band, I knew this made them practically off the map of the known universe), but a supposedly triumphant return was to come soon. He loaned me their first two albums so I could try 'em out, presumably in hopes that I'd take to them and be psyched and prepared for their third.

Maybe it was the carefreeness of those last remaining days of high school...feeling those few surviving responsibilities and ties slip away before a summer of assured debauchery and cavorting settled in (seemingly for good). Maybe it was my growing understanding of what makes music good, and what I most enjoy from it. Whatever it was, when I heard the Blue Album and Pinkerton, my mind dug its teeth into the heart of Weezer and never let go; I'd found my soulmate.

Here, in this music, were melodies that paled everything else. Here was emotion that would have blown my heart's mind if I'd heard it two years earlier! Here I was both rocking out and emoting like a loser because I was finally realizing that those aren't mutually exclusive concepts! These guys wrote about Dungeons & Dragons and being an outcast as well as talking like they were King Shit but still admitting that there was no hope for them to ever find a woman. They wrote melodies that sounded like they broke straight through the roof of my little split-level NC home, and built layers of burning guitars that felt like they scorched miles and miles of land in a radius around my stereo. I was alone, in a broken home, listening to music that felt more like it came from me than from 4 guys named Rivers, Matt, Pat, and Brian.

Yogi was in my car recently thereafter for a second listen (coulda been the first, but I'm doubtful). Following the breakup I went through right around the same time, Weezer began to represent my heartache and I found myself writing more and more, and wanting more and more to express all the guts that were swirling around inside me. And Yogi was there.

When the Green Album was released, summer was just beginning. Funk and I whisked around parking lots in our cars, blaring "Don't Let Go" as if it was just as good as "Why Bother," though I think deep down, we knew it wasn't. Yogi was there, in the back seat, slobbering on my window and getting knocked off balance when I made a turn too sharply, and listening along (albeit perhaps begrudgingly).

Then college. Maladroit came out at the end of my first year in Boston, and I was on cloud 9. When I went home for the summer, Yogi and I spent even more time together than usual, the weight of all those lonely months crunching us closer when we were finally together. We swam together in the river off the field in my neighborhood, and spent daylight hours chilling out at home while I waited to go to my dreaded night shift at the axel factory (4 pm - midnight). My friends all worked other jobs that had decent, human hours, so we rarely brushed shoulders. When I switched to the morning overtime shift at the Volvo plant (6 am - 4 pm), I was too tired to see my friends, so Yogi would curl up beside me on the futon as I drifted off to sleep. In the few waking hours I had at home, we would play together and I'd ceaselessly excavate the internet for Weezer videos and interviews from their heyday, as well as download bootlegged tracks and outtakes from their more recent work.

Around this time, I realized that my thing with Weezer was never going away, and that it was so strong an attachment that it made me sad...someday, Weezer would cease to make music, or otherwise cease to exist in some form. Their music had had such a profound effect on me that I couldn't bear to imagine what it would be like to know that there would never be anymore of it.

Bookending things as they seem wont to do, Weezer released Make Believe around the time I graduated from Emerson. I remember joyfully drinking in "Perfect Situation" and "Hold Me," and having rabid conversations with Funk and my friend Matt about how much better this was than anything on Maladroit. I had recently begun seeing a girl named Molly, and I distinctly remember cleaning my apartment before she came over, "Haunt You Every Day" thundering all the while. I brought the CD home with me to North Carolina when she came to visit, and we spent several afternoons taking Yogi around Hendersonville with Make Believe serving as a soundtrack. It was all too brief, however, as I had to stay in Boston for the summer to make money before beginning Urinetown and the impending move to New York. We had a few days with Yogi.

Rivers released his solo album of home recordings just in time for Christmas this year. I flew home Christmas Eve (Work not being very understanding about granting time off for this particular holiday), and left the morning after Christmas. It was my shortest trip home yet, and therefore my shortest stint with Yogi. My 12-year old Christmas Present, though as beautiful as she was all those years ago, was visibly old, and, I think, visibly sad that I was not around for long. We spent as much time together as I could manage, and I even put off listening to River's album until I got back to NYC. I sometimes regret that...I think she should have liked, "Superfriend," most of all.

When Weezer released the "Pork and Beans" single two months ago, my mind very nearly suffered a cardiac arrest all over again. It was a single that harkened back to everything I loved about Weezer's golden age...a beautiful melody, blistering guitars, hilariously goofy but sincere lyrics, and a general mood that doesn't match anything else on the radio. I called my friends immediately to see if they'd heard it, and followed up with each pre-album single release they had. When the Red Album was officially announced (and pushed forward), I freaked out. All I wanted to do was have it in my hands, feel the jewel case...read the liner notes and the lyrics..and cruise around North Carolina listening to the album, a cream soda in my hand, and Yogi in the passenger seat, her ears flailing out the lowered window like muddy comets.

But I got the call from my mom on wednesday. Geez, almost a week ago. My family's out of town in Europe. Yogi's cancer seemed to accelerate overnight. The kennel owners tried getting her to the vet's to put her down. She didn't even make it in time.

Yogi died without me there. Without me telling her how much she meant to me, how much I care about her, and how good a dog she'd been. Without me singing, "Longtime Sunshine," a song we found together, to her. She died. And she died alone.

The days immediately afterward were a dark blur. I was so overcome with guilt that I rapidly descended a path of depression that I knew wasn't called for, but that didn't steer me off it. Yogi was gone. My connection to overcoming those 12 years of pain, awkwardness, loneliness, as well as my tether to the good times, was gone. I was cut loose, lost in some frothy sea that bore no resemblance to the waters I'd been sailing only hours before. North Carolina began to sound less like my home. Everything began to sound less like my home.

Then I thought back to Pinkerton. Nothing comes close to the way I feel about that album...I don't think there's anything more cathartic or perfectly crafted than Pinkerton, and the fact that this type of music has since been absent in Weezer's output has made me depressed, no joke. But just because it hasn't continued doesn't mean it's gone. And even if Weezer dies off, or becomes a poppy abomination that no self-respecting Morrison or his dog would listen to, their older music is still alive. It really is. When I listen to the "god damn" mental breakdown of "Across the Sea," I feel just as anguished yet full of hope as I did when I first heard it in 2001. And although I wish I had discovered Weezer sooner, it doesn't matter when I came into my own with them. It's music. It behaves the same if I listen to it ten years ago or tomorrow. It's unconditional. It's me who isn't built that way.

But I did come to treat Yogi better. She was the best friend I'll ever have, and nothing can take that away. Even when her dogbowl is thrown away, and when we take down the length of red zipline she ran along, and when the last bit of her remaining fur is swept away; when all the last traces have been erased of the first thing I had that required responsibility and that loved me no matter how badly I attended to that responsibility; when all that's gone, she won't be. I love Yogi, and she loves me. She knows how much she meant to me; I could see that even in our brief moments together this past Christmas. She was loved, and she recognized me as clearly as the long, wet nose that hung down below her brown eyes. She represented a huge chunk of my life, and just because she's left doesn't mean my connection to those days is gone. At midnight, when the Red Album downloads into my computer, she'll be right beside me listening to it. I don't feel silly saying that...it's just the way it is. I can't imagine it any other way.

Life is a mystery, as the question mark by her tail suggested way back when. But she wasn't. She was beautiful. She was my friend. The mystery is what did I do to deserve such a present?

"I've got your letter,
you've got my song."

Sunday, April 20, 2008

i've had her, she's nothing


So. Tonight.

I spent an hour or two memorizing a few songs at home, then busted out to busk at the good ole 23rd Street Station. There were a few Phil Ochs songs in attendance, as well as some fragments of my own that are in progress, and I was really pleased by how well-received they were. I made a couple bones, always a good thing given that my college loans are a little past due. But aside from the obvious boon of a roll of singles, it was really great to see people enjoying the music. Some poorly misguided by very kind lady told me my voice was "angelic." A cluster of women who I presume were tourists videotaped me from across the platform on the downtown side. And there were the usual nods of recognition when I played a Dylan or Neil Young song that someone approved of. I'd forgotten how nice it feels to do this.

I wasn't feeling the harmonica much tonight, so in place of it, I guess I ended up scatting. Not sure what else to call it. There's some scat-stuff in "Hands & Knees" anyhow, and I guess I've been going more and more in that direction. There are just some vowels sounds I'm obsessed with, I've realized. I couldn't probably explain it, but there are sounds that I'm big on, pet sounds, and whereas most people might cite clarinet licks or backwards-recorded guitars as pet sounds (not that I don't), I've become increasingly obsessed with the shapes of these vowels, and with letting loose on them, abandoning words. I think these particular vowel sounds are prevalent in folk music, too, which is maybe where this comes from.

Still working on my new song. There are of course several now, as I can't ever pin down one version of what I'm feeling, so inevitably it family trees outward into too many bits that risk incompletion. I think I'm gonna have at least one pretty nice one in a few days.

In the meanwhile, here's a great Phil Ochs song. The last stanza's chilling.


The night air is inviting you to walk out on the trail
You will not fail,
You will not fail
And by the beach, a lady sails a ship without a sail
And you reach out for her,
And you reach out for her
But, I've had her,
I've had her
She's nothing

Down the cliffs you clamber and you tumble to the shore
The warm waves roar,
The warm waves roar
And on the reef a mermaid siren screams, "one perfume more"
And she shouts to you,
Through the foam, she shouts to you
But, I've had her,
I've had her
She's nothing

The players at the party are prepared to take a chance
They drop their pants,
They drop their pants
In the corner, she's so crystaline no one dares to ask a dance
And she calls out to you,
And she calls out to you
But, I've had her,
I've had her
She's nothing

In the prison of your broken bed, you dribble in a dream
And find a queen,
And find a queen
But your sleep is sadly stolen by the face that is a stream
That's flowing out to you,
She's flowing out to you
But, I've had her,
I've had her
She's nothing

The vision of the seven veils are racing down the road
Signs are slow,
The signs are slow
But beauty is the mistress and the beauty you've been told
You'd speed the route for her,
You'd speed the route for her
But, I've had her,
I've had her
She's nothing

The fog has changed the city to a friendly frightened fawn
The shades are drawn,
The shades are drawn
To posess her misty madness, you would gladly duel the dawn
And fade out to her,
And fade out to her
But, I've had her,
I've had her
She's nothing

The circus clown, he hides a tear beneath his pained smile
And charms a child,
And charms a child
While the dancing girls and prancing horse blows kisses down the aisle
You'd roll about for her,
You'd roll about for her
But, I've had her,
I've had her
She's nothing

All alone, the flaming field, your fairy love is spread
Your time has fled,
Your time has fled
Now the only way to touch her is the gun beside your head
Now there's now doubt for her,
Now there's now doubt for her
But, I've had her
I've had her
She's nothing

Thursday, April 17, 2008

planets are getting demoted


How do you get over something that's eating at your brain? Nevermind that it's something stupid, something that is taking up your time in a most frustrating manner, something that doesn't give a hoot about you no matter how much you invest in said something. (Yeah, you probably know what I'm referring to by now.) Nevermind those things. It's buggin' ya, and ya gotta kick it.

So you write. Well, at least I write. I've been spending my free time the last few days writing the first song I've really been able to get enthused about since Novemberish. In fact I've been writing so much that the song is way too long. I've been almost literally sleeping on it (the old trick where I reread it right before bed so my dreaming brain can hopefully continue working on the weak stuff). On my break today, I purposely left the lyrics at home and attempted to rewrite them from scratch, hoping the stuff that counts would reappear and the bits that could stand to improve would get lost in the shuffle. Not sure if it worked; now I like both versions.

Ah well. Brian Wilson says that a masterpiece is something you water daily. Not that this has much chance of being one of those things. But I do intend on tending to it as such.

Lyrics and recording to come.
Mucho Oblique Strategies and risks happening currently.

Friday, March 28, 2008

feeling gravity's pull



Technically, this another post that doesn't involve me busking. However, seeing as this is the third night in a row that I've stayed up playing out my thoughts for myself and scrabbling crappy lyrics on just about any surface I can find (this is why I try to have blank post-its on my walls), I'm going to count it.

This was my much-built-up week off from work. Unfortunately, tiny commitments here and there whittled away most of the break, so I was glad that I'd left the last two days to myself to trek down to DC. The aim of using this as time to get out of my head and chill my body out was achieved, but I also think I accomplished the exact opposite. So:

Yesterday, when I hopped the train, I was listening to R.E.M. Never having got into them (mostly because of the unfortunate coincidence with my initials...), I'd attempted a few of their early albums in college to try to do the requisite, "yeah, these guys aren't any good now, but college kids back in the day loved them, and if there's one thing education is showing me, it's to respect an artist's overhyped past" kinda thing. It didn't click. This time it clicked. The depression I've been feeling for the last two, three weeks was immediately and thirstily breast-feeding from Michael Stipe's glorious vocal nipple (follow that?), and off I went into the deep end. The second the train left the station and I saw the least bit of scrabbly vegetation, my mental floodgates were self-sabotaged and I word-vomited all over my notebook. Tons of lyrics. I'm sure they sucked; that's why I stopped writing a few months ago. I'm embarrassed by how bad my ideas are. But I stopped caring. Why?

I guess because I was out of my comfort zone. Much as I hate how habitually stupid work has grown, and how habitually alone I feel, and how habitually unartistic I fear I've become, these things make up my routine, and, over time, have come to define my comfort zone. So, Rob, just get out of the city, and voila, you've got a couple shitty ideas. Sweet. Why don't you do this more often? Just go all over the place.

Then it hit me: is this why people travel? Maybe not all of them, of course. But maybe a lot of them do so for this reason. I dunno.

But after a nice, semi-relaxing (the semi- because it was rather brief) stay, I found myself getting all grumped up again on the train. Where I'd been feeling vulnerable, creative, sad and lonely only a day before, I now felt angry, stupid, sad, and lonely.

I just got more upset by the time I got home. Actually, enraged would be a good description. The reason? None, really. But I think I'm going to stop generally apologizing for that stuff. I'm a cool guy, and I'm gonna emote with confidence, yo. My dog is dying, I've managed to lose a significant number of friends in the last two years because I'm a stubborn moody schmuck, and here I am secretly griping about a few silly people who find silly ways to piss me off. This is seriously out of whack.

Anyway, I wish I could say I'll have at least some lyric updates to put up here, but seeing as how I'm turning slightly green looking at what I wrote, I doubt that'll happen.

"Fables of the Reconstruction" is amazing.

Saturday, February 16, 2008

Insect Angel

I'm so tired of being sick that it's actually managed to get me depressed. Rather than stew in bed all night, I decided to finally record Insect Angel, albeit in quite a sickly fashion.

A lot of the lyrics are almost embarrassing to me, but I operated under the "no apologies" approach for this and didn't make any lyrical adjustments. Same thing for the vocals...I probably sound godawful, but this actually goes with the subject matter.

The words are pretty inaudible, so if you don't feel like scrolling back to the post that included these lyrics a few months ago, here they are. Lo and behold, six months later, Insect Angel. Okay. Bedtime attempt.

By the way, as mentioned, this was written a while ago (September 23rd, it would seem), and I have even less of an idea of what it's about now than I did before.

insect angel.

tarred and feathered
by request
ten years of blood
vitamins and microchips

they gave me lights
so I could see in the dark
and cut me like a diamond
so none could see me

break my skin
plant a pill
they smell your smarts
before you think of the end

dread Gilgamesh
left ancient dragons boiling in me
I’ve written it on mile markers
but no one believes

through fishflesh eyes
look long, look long
see the indiglo dials
see the secret codes

eraserburn
I checked their hands
and saw the spots
they’d tried to forget

blood from the sky
smells sweet
but they’ve torched my files
and now I can’t reach what I need

what will I be?
all the televisions burst around me
at the symphony
I hear different things

obsidian
are the laws and the liturgy
radars cannot see
the fiberglass coming out of me

this insect angel
is still fixed on the starball
bulbous and stuffed with light
hideous, hideous

I’m classified
and stuck in time
like a sugarmelt
I could swear I once was good

roy g biv
in an oil slick
manta rays blot out the sun,
blot out the sun
think of the end

Thursday, January 03, 2008

I'm returning your wings.


Today found me making, several times, a familiar pilgrimage to SoHo that I haven't really made since the summer, in turn, found me full of self-deprecation and -pity, but empty of funds for train rides. I'd made a mix to end all mixes on my shuffle; a collection of songs to chronicle the palpitations of a warped heart trying to understand if it had been dug out from fossil matter, a complete anachronism whose struggle would then only make sense, or it was simply doomed. Gradually, things actually did change. I met other people. I got promoted. I got an MBTA card. Finally, the shuffle was laid to rest on my shelf, replaced by something larger and cooler. "The world had moved on" as they say in the Dark Tower. Things had finally changed. And I hadn't really noticed it.

So I popped my shuffle on as I made my rounds today, cycling through the songs less for the purpose of listening to them and more to hear what songs were in the mix; to see what I'd assigned meaning to all those months ago. It was weird...there were clusters of songs that were clearly me indulging my own inner pity, followed by waves of embarrassingly cheerful songs aimed at perking my chin up to the very clouds that the CareBears pay overpriced rent for (I don't care what you say, BrightHeart, it's NOT centrally located). None of them meant much now, but it made me think a lot. I had been downright pathetic. Granted, no one could have jarred me from my funk by telling me that, including a future, well-informed version of myself. It was just something I had to go through.

I've been overhauling my apartment the last two days in order to cleanse myself of 2007 as well as make way for some significant changes 2008 has already exacted upon my tiny, carbon-based footprint on the world. In so doing, I found a horde of asian mustard packets from chinese takeout across the city. I forgot: I was obsessed with chinese food this summer! And I've got enough extra condiment packets to live off of for two weeks, should I dare. To salute the most morose of summers and the loneliest of falls, I made the tea that came with a long-since devoured tray of ho fun, and consumed the hermetically-sealed fortune cookie whose contents were likely intended for Rob Morrison circa July 2007.

"The guilty one is hidden in the misty copse.
Are you ignoring the signs?"

Oh right. The fucking History channel infiltrated my dessert of portent over the summer to promote The Lost Book of Nostradamus.

If that doesn't deflate my whole self-centered evening, nothing will.

My aunt came into town the other night, and I had a truly awesome time catching up with her. It's strange that her visits have served as little milestones for me: last time she was in town, I'd just gone through the breakup, and the time before that, I was just about to experience it (unknowingly, of course). In comparison to her last dinner with me, I must have seemed far more sane and together. And I heard it in me, as I spoke with her. "Wow...I really have come a long way. I'm actually managing to support myself financially (knock on wood), I feel artistically decent, and I'm pretty happy. It almost doesn't feel like me!"

But nothing has been handed to me. I've had to wrangle it all out of the mud and spray the film off just to see if it's any good to begin with. Though cheesy and depressing, I've come to terms with one concept: No one really cares that much about me. And if I put my trust in anyone's sense of responsibility, decency, or even basic ability to act like a human being, I'm being a sucker. The only person I'm in control of is me, and I gotta make sure I do help out others as well as look out for myself. To me, this isn't really depressing. Just a wake up call, and a different tack on things. And it's one I'm already employing largely without much effort. If my big pet peeves are dishonesty and being ignored, I need to pay the antidotes forward.

The only goal of note that wasn't accomplished during my two-day hiatus from the world was the sizable amount of recording I keep putting off. I'm trying to digitally log all the tape I've got on reel-to-reel, too, which is several hour's worth at least. Well, something for next Wed-Thurs, I suppose.

I've some new lyrics from Christmas that I may post next time.